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Sunday, October 30, 2016

An Invitation to the Crypt -- Happy Halloween 2016!

AN INVITATION TO THE CRYPT
Jen Downes



(click to see all art at large size)

The invitation was delivered in the morning, though Rick Stewart had no idea how it had found its way onto the phone table in the hall.
The postman had not been. A courier would have rung the doorbell, but at ten o’clock the house was still quiet as a crypt — just the way Amadeus liked it. Not gloomy and dinghy like a tomb, but just as quiet as one.
The boss had been asleep for an hour when Rick yawned his way down the wide curved stairway, headed for the kitchen with coffee on his mind and nothing louder than the tick of a grandfather clock in his ears. The doors and windows were all locked up … and there on the polished walnut phone table was the proverbial engraved invitation.
It was the old fashioned kind: gilt-edged, ivory card, hand-written in the copperplate only seen in greetings cards these days, where it was computer generated. Nobody was expected to actually be able to write copperplate anymore. But the person who had sent the card could certainly do it:

Tonight, moonrise, Saint Jude’s, the Tomb.
Cordially, as ever,
Jake M.

Rick spent some moments trying to recall Amadeus mentioning some Jake, but no one came to mind. The card was probably from one of the antique dealers or auction houses he dealt with. There was a Jean, and a Jules, and a Jacques — copperplate would be just their style — but no Jake.
Thinking nothing more of it than to wonder how it had materialized on the phone table, Rick stuck the card into the back pocket of his jeans as he headed into the kitchen and followed through on his coffee plans. Like the rest of the house, the kitchen was vast, fully-fitted, and almost as old fashioned as Jake M.’s card. Amadeus liked antiques as much as he liked quiet. He had no affection for computers, but did possess a laptop and cell phone, which he viewed as unfortunate necessities, like the blood-scarlet sports car parked in the old coach house that had been converted to a garage.
Quiet saturated the house — like a tomb, Rick decided. He pushed earbuds into his ears, turned on the MP3 player to remedy the situation. When Amadeus played music, it would be Handel, Haydn, Mozart, Bach, Vivaldi. He had no desire to give house-room to Johnny Cash or John Barrowman, much less Freddie Mercury. As he would say, “That’s what MP3 players were invented for, Rick” … and Amadeus was the boss.
Coffee in one hand, a reheated yesterday’s-croissant in the other, Rick drifted into the drawing room and cracked open a curtain to peek at the weather. Amadeus might be happy to drowse away the daylight hours, but Rick had things to do —



But apparently not today. The sky was gray, already low and still lowering. It was shaping up to be the proverbial dark and stormy night, if the wind refused to shift by a few compass points and move this weather front to north or south. Rain flecked the window glass. Rick shivered as he turned on the laptop and hunted for a weather forecast. The trick or treaters would be in for a drenching, unless the wind changed.
And according to the forecast, it would. Winds gusting in the afternoon, shifting easterly, showers clearing ahead of a calm though humid evening. Perfect for kids in ghoul masks and witches’ hats … so Amadeus would be inclined to keep the rendezvous at ‘The Tomb’ at St. Jude’s, which put Rick on duty. The job description was bodyguard: time to play the part.
Saint Jude's? It could only mean the old churchyard. The tombstones were so old, the most ancient dated back to the Napoleonic Wars. Then again, so did Amadeus; and there were times when he seemed much more comfortable with things of the past than the present. It was probably an occupational hazard when you were so old, you remembered wanting to toss salad at the stage on the opening night of Hamlet.
Not that one as cultured, as genteel as Amadeus would actually throw vegetables at an actor, Rick allowed as he turned on the gas fire and sank into a winged leather armchair. He remembered the invitation in the nick of time before he sat on it, and put it on the mantel, propped against the clock. 
The boss always slept way past noon. He would make phonecalls, set up a few deals in the late afternoon — there was serious money in antiques. Amadeus was not so much an expert in the field as simply someone who knew gems from junk because he had been there when everything was new.
He would see the card propped against the clock when he came in for the phone and laptop. Rick had other things to do. He promptly forgot about it as he began to tap his toe in rhythm to Johnny Cash and thought, whatever they’re paying this porter, it’s not enough.
He remembered the invitation at six, when the strains of Handel wafted out of the sound system in the office. Xerxes. Amadeus was singing along with the tenor part in a rich voice, dead in tune. Rick did not even bother to ask how he knew the lyrics. He looked into the office to see the boss combing his signature hair, a long, snow-white mane.
The hair was only part of him that had changed with the years. It was raven black in his youth and for reasons unknown gradually became white as Gandalf’s with time, while the rest of him, true to his race, retained the smoothness of skin, the tautness of muscle of a thirty year old.
“We’re going out,” Rick guessed, seeing Amadeus’s choice of black silk tunic.


“We were summoned,” Amadeus observed.
Rick’s memory jogged. “Oh yes, the invitation.”
“You're not invited to a tomb.” Amadeus finished combing the white silk and hunted for a clasp.
“You might be, on Halloween,” Rick argued.
“Perhaps,” Amadeus allowed. “But in this case I’m being summoned. There’s a difference.”
“The summons could be for us.” Rick watched him fiddling with the gold clasp. Silver gave him a painful rash, best avoided at all cost, but he liked gold.
“Jake doesn’t know you,” Amadeus said unconcernedly.
“Which means I don’t know him.” Rick might have been waiting for the boss to say, well, duh, but it was not the kind of thing Amadeus was ever likely to say. “He doesn’t mind if I come along?”
“I shouldn’t think so. It’s me he's after. He always is.”
The remark made Rick’s brows rise, made the bodyguard's professional hackles rise, but he wisely made no remark. People had pursued Amadeus for more centuries than he cared to recall. Rick knew a few of the stories 
There was Lady Jean Hargreaves, who pursued him from London to Italy, where Amadeus managed to get her engaged to a Count Enzo Bertolucci, and made his escape with the Baroness Greenbrough, who was flattered because she thought she was old enough to be his mother, when in fact she was off by at least a thousand years. 
There was the wealthy widow, the Right Honorable Mrs. Alexandra Campbell-Hay, who claimed she was pregnant with his child for three years, at which point even the most skeptical of Amadeus’s critics realized something wasn’t quite right, and Amadeus made his escape with Madame Alicia Cuvier nee-Jones, the Welsh wine heiress who was tragically drowned in a tank of Chablis when the ladder she was scaling collapsed during an earthquake.
And a famous artist, Oscar Riverside, who expressed his ardor by panting Amadeus nude in 1894, and had to go to court to recover the painting when it was confiscated by the morality police — seized right out of the gallery where it was on exhibit, much to the chagrin of the manager, who had never before seen ‘standing room only’ in any gallery. Amadeus was briefly famous (some said notorious), and retired to the south of Spain for several decades to let the dust settle. Oscar Riverside painted infamous nudes till a Zeppelin raid on London in 1916 ended his career. As Amadeus said, you had to be fatalistic: Ossie had spent far more time in Granada than in London for the last twenty years (and make of that what one would). And in any case, what manner of idiot went back to London with Zeppelins headed west?
Sometimes Rick was more than halfway convinced Amadeus made it all up — then he would remember how the passageways upstairs were lined with portraits. Lady Jean was a big-busted beauty with apple cheeks, a sweet little smile and a psychotic look in her baby-blue eyes. Baroness Hortense Greenbrough was a stout matron of sixty, with henna-red hair and enough rouge to paint a fire engine. Sandy Campbell was a whey-faced twenty-something with eyes fixed on some point in the fourth dimension. Allie Jones was a reed-slender lass whose huge, ruddy nose promised to glow in the dark. And Ossie Riverside was a tall, broad shouldered, long legged show pony, if Rick had ever seen one, with big green eyes, pouty red  lips, and a penchant for curling his hair and wearing it six inches longer than the current fashion.
The fact was, you couldn’t make this stuff up, Rick decided as he watched Amadeus get ready to go out. Well, you could, he allowed a moment later, but Amadeus was not the type to make it up. Nor did he need to. He had grown stupefyingly rich as an antique dealer: he owned six mansions scattered across Europe, was the patron of a major symphony orchestra, owned an art gallery in London and a vineyard in Provence. In the 1920s and 30s it amused him to date movie stars — Margaret Lockwood and Rudolph Valentino; and he had the snapshots to prove it, insofar as Amadeus was inclined to prove anything.
The weather had improved during the afternoon and evening, while the wind shifted to the southeast. It actually felt warm, and the wave of air coming through from Europe was heavy, humid. Amadeus never felt the cold in any case, being what he was. Rick was soon sweating as he opened the garage and aimed the remote at the car. 
Sidelights flickered; the car issued a yelping sound, as if someone had stood on the tail of a very small dog. Rick shrugged out of his windbreaker, pulled the black teeshirt off over his head and put the windbreaker back on.
“You look like you’re … cruising, is that the word?” Amadeus’s voice was startling, from the doorway of the converted coach house.
“Don’t con me,” Rick admonished, “you speak the language.”
“I’m sad to say, I do.” Amadeus sighed. “Modern English is rather faff, don’t you think?”
“Not if you were born after 1998,” Rick snorted. “You don’t want to know what kids call English the way you speak it.”
“Not faff, I take it?”
“Get in the car.” Rick brandished the key. “You’re going to be late.”
“He’ll wait.”
“This dude, Jake M. Someone I should know?”
“You’ll know him soon enough … in fact, you probably already do, you just don’t realize it.”
“Oooh, that’s so … so Amadeus,” Rick accused. He watched the tall, lean body slide into the passenger seat and asked, “You, uh, hungry?”
“Not today.” Amadeus ran up the seatbelt. “Tomorrow, perhaps.”
“Youre the boss.” Rick started the car and backed out.
The blood-scarlet Maserati Alfieri purred down the long, curved drive, past poplar and cedar and sycamore, to the mansions tall black iron gates. They opened automatically, not daring to squeal, and closed up when Rick had pulled out.



Saint Jude’s was an old church with an overcrowded cemetery, probably past due for clearing. The developers were dying to get in  they identified at least half a billion’s worth of real estate here, in anyone’s currency. But until the ground was deconsecrated, the church demolished, historic tombstones salvaged, ground milled in search of someone’s earthly remains to be relocated, Saint Jude’s would drowse on in the south of the city: half a square kilometer levitated right out of another time zone and plunked into 2016, likely via some wibbly-wobbly, timey-wimey stuff which Rick did not profess to understand, but cautiously suspected to be perfectly genuine.
“Never a blue box with a spinner on top around when you need one,” he remarked as he stopped the car under a line of skeletal chestnut trees. He killed the engine, opened the door.
“Blue box with a spinner...?” Amadeus slid out and closed his door.
“Don’t give me that. You’ve been saving it to the harddrive every week,” Rick retorted. The Maserati locked up with another stomp-tailed yelp. “Any tomb in particular?”
“Follow me.”




He had been here before — this much was obvious. He knew the way to the old lych gate, and which way the bolt worked, without even looking down … knew the path to take, around the bare trees and ancient headstones … weeping angels that inspired the heebie jeebies in Rick lately (and where was the itinerant blue box when you needed it?), and the memorial garden where cremated ashes were scattered.
And there was the tomb, like a tiny house with an open archway sheltering barred, padlocked gates and, within, a short flight of stone steps leading down to the crypt. Above the gate was a flourishing, stylized letter M. As in, ‘Jake M.,’ Rick observed as he and Amadeus stepped in under the arch. 
He tried the gates, but the padlock must have rusted into place decades ago. A few ornamental lamps lit the graveyard, their cold light shimmering on the faint mist that had begun to thicken in the chill humidity.


Amadeus cast about in the short passage leading to the gate, and murmured as he discovered a lantern. It stank of oil. He flicked a cigarette lighter, lit the wick, and handed it to Rick. “For your poor human eyes.”
“And of course you see in the dark like a fox,” Rick said dryly. Or do I mean a bat?
“I’d better.” Amadeus was amused.
“You’re nocturnal,” Rick added.
“Like all my kind.”
“You could say, like the pubbing, clubbing rentboys, swingers and assorted nightlife,” Rick snorted. “Urban wildlife.”
“One could say that.” Amadeus’s lip curled slightly. “But if one wanted to drive the Lamborghini the next time I need to go to Rome, one might think twice about it.”
Rick chuckled. “It’s hell being your minder.”
“You took the job.”
“The way you advertised it, how could one refuse? Besides,” Rick admitted, “I’d had enough of bouncing.”
“You make it sound as if you were a rubber ball.”
“I was a bouncer … and don’t you dare say you don’t know what it means! The language might be faff, but you speak it as fluently as you rattle on in Ancient Greek and Latin.”
“I speak it.” Amadeus looked out across the old cemetery, where the trees were mere skeletons and, beyond them, the sky over the city was definitely lightening. “It’s almost moonrise.”
“That’s what the dude said — moonrise at The Tomb. He’s late.”
“Jacob is never late,” Amadeus said with acerbic humor.
Rick angled a look at him. “You’ve done this before.”
“Many times.”
“You’ve been summoned many times?”
“Whenever I’m in London at this time of year.”
“And this Jake M. — Jacob, is it? — summons you, and you just toddle along when you’re told to?”
“I don’t toddle anywhere. I have never toddled in my entire life.” Amadeus gave his bodyguard a disdainful look, but the dark eyes glittered with amusement.
“Me Londoner,” Rick intoned, tapping his chest. “You … come to think of it, where are you from originally?”
“Iberia,” Amadeus informed him baldly.
“Where the hell is —”
“Spain. Shush, now. The moon’s rising, Jake will be here in a moment.” And some note in his voice said, ‘Here we go again.’
Sure enough, the moon was climbing over the city skyline, and Rick set aside his thousand-odd questions to enjoy the sight. Bodyguarding for Amadeus had many, many perks, not least among them the fact that, being nocturnal, the boss was waking up, getting motivated, at about the same time as the city’s party animals. Switching from bouncing hardcases and headcases at The Hare and Hounds to minding for a reclusive, immortal billionaire with exotic dietary requirements’ and international business interests had been a challenge, but at least the hours Rick was expected to keep remained about the same.



       And Amadeus badly needed a minder. In fact, Rick often thought he needed a keeper. No matter the physical strength of his kind,  every one of them suffered a terrible vulnerability which needed to be jealously guarded. Little wonder they were an endangered species in the twenty-first century. 
It was a very long time indeed since a torch-wielding mob had actually bayed at the heels of someone like Amadeus, but the scene remained far from impossible; and though he might never deign to admit it, his safety was precarious. 
Rick Stewart had learned all this a piece at a time, as Amadeus let first one secret slip and then another. Eventually, even a bouncer lately employed in the pub scene put two and two together and made five ... which turned out to be the right answer.
The wind was shifting again and the passage to the crypt was not the warmest place to be. Rick shivered animatedly. “Trust the likes of you to hang out in a bloody crypt on Halloween.”
“The likes of me?”
“You know what I mean!”
“I know what you mean,” Amadeus admitted. “And you know full well, I don’t hang out in crypts by choice. It’s just a convenient rendezvous when I’m summoned.”
“This Jake makes a habit of it, when you’re in town at Halloween.”
“He does.” Amadeus frowned at the graveyard. “His family is interred all around us. They were laid to rest here for centuries. All gone now; their bloodline ended.”
“Except for Jake,” Rick said glibly.
“Not ... quite.” Amadeus seemed determined to be cryptic.
“Meaning?” Rick groaned.
“Take it up with Jacob.” Amadeus nodded toward the rising moon. “He’s here.”
Rick muttered the kind of language that would have got his pocket money docked when he was a kid and in his mother’s hearing. He followed the line of Amadeus’s eyes to the other corner of the structure housing the upper levels of the crypt. 
A figure had appeared there, though Rick had not heard anyone approach, and he must have had an LED light somewhere on him, because he was enveloped in pale blue light. The wind was in his hair —


And this was the moment Rick realized there was no wind. 
The graveyard was absolutely still, the trees were not moving … and the blue light did not issue from some LED torch or lamp. It emanated from the figure himself, while the long blond hair floated as if he were in freefall, and his body shimmered.
“Omigod,” Rick whispered.
“Hush, now,” Amadeus admonished.
“But I can see right through him!”
“Of course you can. Jacob! Jake, it’s been — how long, seven years?”
“Seven very long years,” the apparition agreed, coming closer. “You look great. You never change. Then again, how could you?”
“And you’re looking very good indeed,” Amadeus approved.
Looking good? Rick blinked both eyes as hard as he could, rubbed them, and peered at the figure, which had drifted to a shimmering rest just outside their archway. He swore again. “He looks — he looks like Brad bloody Pitt!”



       “I suppose he does,” Amadeus mused. “And I don’t suppose there’s any reason why he shouldn’t.”
“He’s a — a— he’s dead,” Rick said lucidly.
Jacob frowned at him, head cocked. The lads a genius. He might look like Brad Pitt, but his voice was entirely English. “Who’s the brat, Amadeus?”
“My new bodyguard,” Amadeus told him. “It’s been a difficult few years, Jacob. I decided I needed a bodyguard.”
“A minder. You would,” Jake M. said thoughtfully. “Being what you are.”
“Oh, don’t be judgmental, old friend!” Amadeus spread his arms. “Every time I’m in London on October 31st I get the summons, and I don’t let you down. Every time, I come when you issue the invitation, and every time you say the same thing. Being what I am.”
The apparition shrugged. “It’s my job. You know it all by heart by now … how many years I spent buried in the counting house, doing business and missing being mortal and human and decent … and how mankind was my business, and all the stuff you don’t do in life you’re doomed to do in death.”
Amadeus was looking at Jake’s transparent feet. “I don’t see them.”
Rick’s heart had stopped hammering on his ribs as if it were trying to get out. He was listening now, actually hearing what was being said. There was something horribly familiar about these words. He had heard them before, somewhere. In a movie? Actually, in several movies — the subject matter had been filmed so often, everybody from Captain Picard to the Muppets had taken a crack at it.
“I got rid of them,” Jacob crowed, preening visibly. “Took a while, but if you get your head down and do the job right, you can work through the penance and unload the ironmongery. God knows, it’s been over 170 years … enough’s enough, right?” He struck a dramatic, heroic pose  Achilles on the beach at Troy. “Major makeover. What do you think?”
“Suits you,” Amadeus said honestly. “It’s a good look for you.”
“It was time for a change.” Then Jacob dropped back into character, taking on enough gravitas to sink the RMS Titanic. He jabbed a sharp, hard finger at Amadeus. “It is well that you answered the summons, for the time has come for repentance. The sins of the past —”
“Oh, give it a rest,” Amadeus scoffed. “You said you’ve finished the penance, dumped the ironmongery. You can quit the job now.”
Jacob seemed taken aback. “I suppose I got used to the work. I kind of like it now. Going around, putting the breeze up characters like you. Saving souls.”
“Doing what?” Rick demanded. “Who the hell are you?” He took a half step forward, put himself between Amadeus and the apparition. “I’m his minder. You want to take a pop at him, sunshine, you gotta get through me.”
“Rick,” Amadeus began.
But Rick was adamant. “Hey, you hired a bodyguard, remember? What sort of useless twat would I be, if I just let him have a go at you? He’s not exactly the Grim Reaper!” He shot a quick look over his shoulder at Amadeus. “Is he?”
“Not exactly.” Amadeus actually chuckled. “He’s a third cousin, twice removed, of the Grim Reaper’s. Jacob is here with the warning … if I don’t mend my ways, it’ll be doom for me … a marble slab in the smart new churchyard over at Saint Bede’s.”
“Not while I’m minding for you,” Rick said loudly. He pinned the luminous Brad Pitt lookalike with a professional glare. “Okay, you, Jake, Jacob, whatever your name is. Drop it. Right now.”
The apparition seemed nonplussed, as if he had never run face-first into a bodyguard. “Whatever my name is? Look around you, laddie. Scores of Marleys are interred here.”
“Yeah, well the only Marley I know about is Bob Marley,” Rick began; and then skipped a beat. “Uh, Jacob...?”
“Marley,” Amadeus finished.
“But he looks like Brad Pitt.”
“Give me one good reason why I shouldn’t,” Jake challenged. “I’ve been dead for 173 years — it’s not like I have a body left to look like. You want me to go around looking like the bunch of rags and bones in the tomb?” He made a face. “That'd be gross.”
“Yeah, well, no, well, I suppose,” Rick admitted, “but … you’re real.”
“I’m a ghost,” Jacob said patiently. “Nobody ever thought to hire a decent exorcist and get rid of me — or the other three on the team, come to that — so I’m still here.” He flicked back the ends of the long blond hair. “I got to like the job, scaring crap out of people to make them get off their bums and be halfway decent for a change.”
“And save their souls,” Amadeus said doubtfully.
“Well, it doesn’t actually work like that,” Jacob admitted. “I mean, look at me. You can either do the good works while you’re alive and kicking, or you can do them when you’re dead. Your choice, actually. The fact is, like the saying goes, you’re a looooong time dead. You get bored as all hell if you don’t find yourself a proper job.”
“Like haunting someone’s house?” Amadeus was teasing now.
“But … but …” Rick swallowed hard. “You were in a book.”
Jacob chuckled richly. “I would've asked for a share in the royalties, but I was dead when it was published, and Charles was too dense to hear me when I came knocking. Even if he’d split the royalties with me, how was I going to spend the dosh? That’s the bummer deal about being dead. They don’t have shops where I live.”
“No shops?” Rick was beginning to doubt his sanity, and turned to the older, wiser head for guidance. “Tell me I’m hallucinating.”
“Trick or treat,” Jacob mocked, making appalling ghoul faces before he dropped back into the character , the gravitas, and pointed the sharp, hard finger at Amadeus again. “You will be haunted by three spirits. The first shall come on the stroke of —”
“But it’s Halloween,” Rick protested. “That’s supposed to happen on Christmas Eve!”



       “Says who?” Jacob argued. “Charles set the story at Christmas because he wanted to write a book about Christmas. There was no market for books about Halloween back in those days.”
“Rick, shush,” Amadeus said with exaggerated patience. “I rather like this part. It’s where he tells me I’ll be haunted by the Ghosts of Lives Past, Lives Present, and Lives Yet to Come. It’s something of a blast, actually. A wild ride, to use your vernacular. If we hang around here, and you hitch a lift, you can come back with me and catch a glimpse or two of the places where I grew up … the big, dark,drafty castle where I lost my virginity, the garden where I tasted human blood for the first time —”
“Aha!” Jake interjected. “This is where the sins and the atonement and the good of mankind click into gear. Time to save your soul, my dear boy.”
“Jacob.” Amadeus folded his arms on his silk-shirted breast. “In the first place, I was born the way I am, not made.”
“Vampire.” Jacob’s nose wrinkled. He frowned at Rick. “You know about all this, do you?”
Rick shoved both hands into his back pockets. “I figured it out. What’s it to you?”
“Me?” Jake shrugged. “I just like saving souls. I suppose I do it on a hobby basis, now I don’t actually have to.” He gestured at his feet. “See? No more chains.”
“In the second place,” Amadeus said, louder, “I can’t stop being what I am, any more than you can stop being a ghost. I’m already a philanthropist, Jacob, as well you know. I fund a symphony orchestra, and a dramatic society, an art school, and a publisher of arcane literature. What more do you want?”
“A hospital,” Jacob suggested.
“All right, a hospital,” Amadeus agreed.
“For orphans.” Jacob looked satisfied.
“A hospital for orphans. It’s perfect. Why didn’t I think of it myself?” Amadeus demanded with scathing humor. He lifted a brow at Rick. “He was always like this, even when he was alive. He likes to tell you dying changed him, but he was always a manipulative little sod. He got it from his father and his paternal grandmother.”
“You knew them.” Rick wondered why he was surprised.
“I knew several generations of Marleys,” Amadeus mused, “and there wasn’t a Robert among them.”
“Bob,” Rick corrected. “It’s Bob Marley. Or it was. He’s dead now. And he was Jamaican.” He glared at Jacob. “Not one of your mob.”
“I’ve never even been to Jamaica,” Jacob said thoughtfully.
“Why not treat yourself to a vacation,” Amadeus suggested. “You can go right there from here. It’s nice at this time of year.”
The apparition glared at him. “The hospital?”
“You’ve got your hospital,” Amadeus promised. “For orphans, specifically … which I take to mean we toss all the other sick children out into the street.”
“Amadeus!” Jacob might be dead, but he could still roar.
“Not just for orphans, then,” the young-old vampire said smoothly, not the least threatened. “Orphan friendly, perhaps, yes?”
“Then, I can tell the rest of the team not to bother coming tonight —?” Jacob relaxed visibly. “Saves them the time and trouble, which puts the smiles back on their faces. They can be a disagreeable, taciturn bunch, especially his lordship, Yet to Be. All these years, and I’ve never managed to wring a word out of him. Never even a syllable. He just does the skeletal finger thing. Very inscrutable, Im sure. He probably thinks its menacing, when its more of your actual aggravation. In fact, I’m not even sure it’s a him. Could be a her, for all I know.” He thought over the turn of events and said speculatively, “Jamaica.”
“Where the rest of the Marleys come from,” Rick said wryly. “Reggae, rum, cricket, the works.”
“Holiday,” Jacob's voice was becoming thin and pale, as was the rest of him.
Amadeus took a step forward. “Jake, you’re fading out. Are you leaving already?”
“I — what? No.” Jacob seemed to notice what was happening and looked around wildly. “Omigod — no. No!”
“What?” Rick was beside Amadeus, watching the apparition panic. “Jake, what?”
“I — I’m being exorcised,” Jacob wailed, bellowing, though only a tendril of sound made it through to Rick’s ears. “I don’t wanna be exorcised! I wanna go to Jamaica! Amadeus — Amadeus, do something! Help me!”
But Amadeus was obviously at a loss. “I’m a vampire, not an exorcist, Jake, I’ve never even attended an exorcism! I wouldn’t know where to begin to stop one.” He reached out to Jacob as if trying to touch him, but his hand passed right through the insubstantial stuff of the ghost. “Jacob! You’re fading fast, tell me what to do!”
The apparition looked pained, distraught, panicky. “Clap your hands,” he whimpered.
“Do what?” Rick strained forward toward him. “Jake, do what?”
“Clap your hands,” Jacob moaned, “and say, “I do believe in ghosts!” He wailed, as if in agony. “Say it, say it!”
He was fading rapidly now. Just a thin, wavering remnant was left, and Rick clapped his hands hard, echoing the sharp raps of Amadeus’s palms. “I do believe in ghosts,” Rick said loudly.
“I do believe in ghosts,” Amadeus called. “I do — I do!”
Rick stopped short in mid clap. “Just a second. Just one bloody second — that’s Peter freakin’ Pan.”
“It’s what?” Amadeus looked sidelong at him.
“The part where Tinkerbell swallows poison to save Peter,” Rick said coldly, and pinned the apparition with an accusatory glare. “You … you toerag.”
The ghost brightened till he looked almost corporeal, and doubled up with ribald laughter. “Got you. Trick or bleedin’ treat! Got you, got both of you!”
“Got me. Us,” Amadeus intoned. “Happy now, Jacob? Are you satisfied, now you’ve embarrassed me in front of my new bodyguard?”
Jacob smothered his amusement. “I meant it about the hospital.”
“One children’s hospital, orphan friendly, on the fiscal agenda for 2017,” Amadeus said with all due solemnity. “Jamaica?”
“Jamaica,” Jacob agreed, “where the rest of the Marleys come from. I wonder if we’re related?”
He was fading once more, but this time without the performance. “I’ll see you again, Amadeus.”
“And my soul?” Amadeus called after him.
The ghost guffawed. “Like you have to worry about some marble slab at Saint Joseph’s. Vampires are immortal.”
Then he was gone.
Amadeus stooped to blow out the lamp and set it back on the shelf just inside the archway. “Clap hands and say, ‘I do believe in ghosts.’ Damnit, I must be getting slow.”
“Either that, or you never saw Peter Pan.” Rick stepped out into the graveyard.
“I’ll rent the DVD.”
“I’ll get you it for Christmas,” Rick muttered. “That and Dracula.”
“I’ve seen Dracula.”
“Peter Cushing and Christopher Lee?”
“Frank Langella. In fact, he signed a picture of himself when I met him at the London premier.”
Rick’s chin dropped for the second time that evening. “You met Frank Langella?”
“Of course. There was a charity event, I gave thirty thousand pounds. Mr. Langella and I drank champagne. He was most charming.”
“And soooo good looking,” Rick crooned. “And he never never guessed he was interviewing the real McCoy.”
“The real what?”
“A vampire.” Rick plucked the keys from his pocket and surveyed the graveyard critically as they started down the path back to the lych gate. He hurried the pace, wanting to get out of the dampness. The high humidity and rapidly chilling air were raising a thick mist, which wound and coiled around the gravestones, and those damned weeping angels. “This place,” Rick said succinctly, “is giving me the creeps.”



       “It’s full of Marleys.”
“All this time, I thought he was out of a book.”
“He was out of a book.”
“Only because Charles Dickens put him in it!” Rick jingled the keys. “So … did Dickens meet Jake while he was alive, or after he was dead? Jake, I mean. Dickens probably had to be alive to write the book.” Abruptly, nothing was certain anymore.
The vampire’s brows rose. “I honestly have no idea. You know, I never thought to ask. Next time.”
“In another seven years? The next time an invitation card materializes on the table in the hall, when youre in town at Halloween?”
“That would be the time.”
Rick groaned. “I need a beer.”
“You need dinner,” Amadeus corrected.
“I’m not hungry.”
“But I’m starting to feel a little … peckish.” The pink tip of Amadeus’s tongue flicked out across his lips. Moonlight glistened on the too-sharp point of a canine tooth for just a moment before it was gone again. “You need to get some food inside you, so I can feed.”
“Oh. All right.” They were at the gate, and Rick aimed the keyring at the car. It yelped as it came to life. “Fish and chips again, on account of you can’t stand garlic, so I can’t have French or Italian.”
“Try Indian. I’ve a fancy for something spicy. Have a nice Madras curry, with naan and papadums on the side.”
“And a beer,” Rick growled as he swung open the door.
“With a whiskey chaser. I like the way the spirit simmers in your blood.”
Pausing with the key on the way to the ignition, Rick regarded the white-haired young man over the roof of the car. “You know, I got a lot more than I bargained for, when I answered the ad in the paper. I only signed on as your minder.”
“Regrets?” Amadeus wondered.
For a moment Rick stopped to think, then shook his head. “Only when you drag me into crypts in the middle of graveyards on Halloween.”
“You don’t have to come next time.”
“I might, though, if you take me along for the ride, when Lives Past shows you the creepy old castle where you got laid the first time, and the garden where you first tasted human blood.”
“Even I was young once.”
“You still are.”
“Only on the outside.” Then Amadeus was in the car. “Where are we going?”
“The Bombay Umbrella Club,” Rick said promptly. “You want Indian, you get Indian. Nothing but the best for the boss.”
“You’re too kind. What did I do to deserve you?”
“Put an ad in the paper,” Rick told him glibly. “You wanted a minder, remember?”
And Rick Stewart had wanted to move onward and upward from the hazards of bouncing at rowdy pubs. He revved the engine and flicked the indicator, but the road was empty. The autumn night was calm, damp, cold, sharp with the promise of winter right around the corner — but first, fireworks in a few days’ time. On the fifth of November it would be Rick dragging Amadeus out to see the spectacle, if several tonnes of exploding gunpowder could rival meeting an actual, genuine ghost, face to face.
I do believe in ghosts, I do! Rick mocked himself and turned the car in the direction of the best Indian restaurant on this side of London. 



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Happy Halloween, 2016!

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Friday, October 28, 2016

The 4:00am perspective

Migraine at 4:00am changes your perspective on ... everything. The world seems to change shape and color; nothing looks the same. It can be very surreal indeed, and the strangest thoughts flitter through your malfunctioning brain. I don't often write poetry these days (used to!) but this came to me:


Hmm. That's not bad. I also popped it onto facebook...

Note to self: write more poetry. Not necessarily after migraine.

Apologies to any who might be following this blog: we took a few weeks out in October for a long-awaited and much-needed vacation. A lot less has been posted here lately than would normally have been, since you tend to arrive home late, tired out and just wanting an easy meal and an hour or two's drool in front of the tv.  (And I still have to sort the photos from that vacation!)

But one at least I'd like to share here:


The lens flare is gorgeous in this ... and the shot was captured after the lens was thoroughly cleaned. I love the colors this flare has adopted. (Am signing off on any images I upload to facebook every time I remember to, since I was told facebook can actually heist your pictures for their own use. O...kay. If they're going to do that, let's make sure there's a credit on the pictures, right? Right.)

Monday, October 24, 2016

The Eternal Tourist

Sailing to Byzantium by Robert Silverberg

Some novellas deserve to be full novels, and Sailing to Byzantium is one of them. Robert Silverberg wrote this cross-genre jewel -- a mix of SF, fantasy, time travel, romance and mystery -- in 1984 and, deservedly, it won the Nebula Award. The real mystery is why it hasn’t been filmed, because it has the makings of a gloriously visual movie, especially in this age of CG effects.  


The other mystery is why Silverberg took an immense story which touches on so many subjects, and invested only a novella’s length in it. The plot is simple enough, but the world he explores in a scant 40k words remains arresting over 30 years since the Nebula was awarded.

In the fiftieth century, the world as we know it is gone (no surprise there), and the homogenized descendents of humanity are a comparative handful of functional immortals: physically perfect, they are masters of a magical technology which enables them to live as what one can only term eternal tourists, forever traveling from one fantastic city to another. The rub is this: every city is a recreation of one of history’s great metropolises, raised from dust by legions of machines, permitted to exist for a short time then demolished, no doubt to be cannibalized for the materials to build another. All the great cities of history are being recreated, five at a time (the limit is firmly imposed, no reason given), and the immortal citizens of the fiftieth century simply travel, party, enjoy, socialize, and generally have a great time among the grandeur and the teeming populations of ‘temporaries,’ who appear to be androids whisked into existence to complete the illusion of Alexandria, or Chang-An, or Constantinople itself.

Only a tiny percentage of the human population don’t enjoy the eternal lifestyle. One in a thousand, or perhaps ten thousand, still grow old. After an extended youth, when the aging comes on them, they age rapidly. Such is Gioia, the lovely young thing with whom Charles Phillips falls in love. And Charles himself is the other, and even rarer, anomaly. Hes a ‘visitor’ in the future: synthetic body and mind, machine-designed and built to bring the past to vibrant life for the entertainment (and perhaps the education) of the citizens, who -- by our standards -- often seem callow, and occasionally even moronic.

Charles isn’t the only visitor, but there’s barely a handful like him, constructs drawn from whatever century. Being synthetic, he’s a misfit, greater than the ‘temporaries’ but lesser than the citizens. Gioia is drawn to him as like is drawn to like: she also is a misfit, doomed to age with an incurable genetic condition. When the rapid aging begins she flees, and as Charles literally pursues her around the world, city to city, he discovers what he is. Not a twentieth century man at all; not even a naturally-born human … something more, he decides, not less. Being synthetic, he is as timeless as the physically perfect (and intellectually somewhat dense) citizens; but what of Gioia, who is aging alarmingly. What can be done for her, amid this kaleidoscope of incredible technology?

The prose is stylish and rich and the world building tantalizing. If Sailing to Byzantium were double or triple the length, properly fleshed out and with the panoply of amazing concepts fully explored, it would make a novel today’s reader would deem awesome. At 40k words, it seems oddly abbreviated, in places thin to the point of anorexia. Silverberg has remarked on how the novella is a format he likes a great deal, and he clearly had a fine time here. But the material demanded, and deserved more.

Nebula Award notwithstanding, and as much as I adore Robert Silverberg, I want to give Sailing four stars rather than five, because it surely needed more growth, more investment, just more, to work truly brilliantly. It might have read better in 1984. Current readers -- in this age of hundred-episode sagas on tv and book series running many thousands of pages -- are seldom satisfied when thematic material is underdone. Sailing has a ‘rare’ quality, perfect on the outside but a tad too pink in the middle to suit all tastes. Which isn’t to say I don’t love this story -- I do! But my imagination runs away on flights of creative fantasy, filling in the blanks and building the sumptuous, thick novel I wish Robert Silverberg has written.
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